Home
News
Biography
Catalogue
Research lines
Presse / commentaires
Sound samples
Excerpts from scores
Programme notes
Articles / interviews
Photos
Links
Others

 

 

 

 

 

 

 

 

 

 
CD!
 
cd Edition RZ (Order in Berlin)
METAMKINE label (Order in France)

02-2014

ART ZOYD, Valenciennes. Residency for the realization of the electronic part of Web studies, a project of musical creation and interactive 3D installation, in collaboration with virtual architect Marcos NOVAK (USA).

LA VOIX DU NORD, Valenciennes. Article about the project Web studies and the residency at ART ZOYD.

03-2014

NON RADIO, South Africa. Broadcasting of the CD in corpore vili (Mutatis mutandis, Psyché-Cité/Transversales, …who holds the strings... and Doppelklänger) and Shel(l)ter, a series of pieces for ensemble and electronics.

04-2014

ART ZOYD, Valenciennes. Video of an interview with ART ZOYD during a residency for the project Web studies.

06-2014

MUSICA KALEIDOSCOPEA (a kaleidoscopic view of music), David LEONE (USA). Composers' profiles, with a presentation of Clara MAÏDA's music, among other composers such as Liza LIM, Simon STEEN-ANDERSEN, Natasha BARRETT, Johannes SCHÖLLHORN, etc.

L’AUTRE MUSIQUE LABORATOIRE (New Writings on Sound and Music # Clara Maïda), Paris. Presentation of the piece Fluctuatio (in)animiand the drawing Kinêm(a).

09-2014

BENDIGO INTERNATIONAL FESTIVAL OF EXPLORATORY MUSIC, Bendigo-Melbourne (Australia). ARGONAUT ensemble (Bendigo). New performance of the series of pieces Psyché-Cité/Transversales for instruments and electronics (Fluctuatio (in)animi, Ipso facto and Via rupta). Lecture at MONASH UNIVERSITY (Melbourne) and symposium "The role of technology in the production of composition".

ABC RADIO, Melbourne (Australia). Broadcasting of Psyché-Cité/Transversales (concert at BENDIGO INTERNATIONAL FESTIVAL OF EXPLORATORY MUSIC).

10-2014

THE BARBICAN, London. Presentation of Barbicania (#), a movie about THE BARBICAN by Ila BÊKA and Louise LEMOÎNE (BÊKA PARTNERS). The piece Holes and bones, for four instruments, is included in the night part of the movie.

11-2014

UNIVERSITY OF HUDDERSFIELD (composition class), United Kingdom. Seminar (general presentation of the research lines).

04-2013

PRESENT CONTINU, musical creation webzine by FUTURS COMPOSES, Paris. Coming out of the French translation of the article For a nanomusic (Für eine Nanomusik) published in KLANGZEITORT journal in March 2011 (Berlin).
Online broadcasting of Shel(l)ter - seither... ( ) ...Splitter and hinter... ( ) ...Eiter, a piece in two parts for eleven amplified instruments (L'ITINERAIRE ensemble. Direction: Jean DEROYER, 2010) and Shel(l)ter - später... ( ) ...Winter (PERCUSSIONS DE STRASBOURG and NOUVEL ENSEMBLE MODERNE. Direction: Lorraine VAILLANCOURT, 2009).

05-2013

PARIS 8-SAINT-DENIS UNIVERSITY. Symposium "Music and ecologies of sound". Conference ("From impulse to impulsounds - The sound between inside and outside").

05/10-2013

Writing of the essay From impulse to "impulsounds". The sound diagrams of the unconscious (For a transversal approach of the musical writing of time and form).

11-2013

HUDDERSFIELD CONTEMPORARY MUSIC FESTIVAL (United Kingdom). ARDITTI QUARTET. Premiere of ..., dass spinnt... for string quartet. FRENCH MINISTRY OF CULTURE and ARDITTI QUARTET commission.

THE TELEGRAPH, London. Article by Ian HEWETT about ..., dass spinnt... for string quartet (ARDITTI QUARTET, HUDDERSFIELD CONTEMPORARY MUSIC FESTIVAL).

CD CLASSICO (Italy). Article by Andrea BEDETTI about the monographic CD in corpore vili.

12-2013

DAAD, Berlin. Article by Christine ANDERSON about the general research lines and Shel(l)ter, a series of pieces for ensemble and electronics, in 50 Jahre - Berliner Künstlerprogramm des DAAD (50 years - the Artists-in-Berlin programme of the DAAD).

02-2012

ECLAT FESTIVAL, Stuttgart (Germany). ÖSTERREICHISCHES ENSEMBLE FÜR NEUE MUSIK (Salzburg). Direction: Titus ENGEL. New performance of Shel(l)ter - seither... ( ) ...Splitter and hinter... ( ) ...Eiter, a piece in two parts for eleven amplified instruments. Concert of the KOMPOSITIONSPREIS DER LANDESHAUPTSTADT STUTTGART 2011.

SWR RADIO, Stuttgart (Germany). Broadcasting of Shel(l)ter - seither... ( ) ...Splitter and hinter... ( ) ...Eiter for eleven amplified instruments. ÖSTERREICHISCHES ENSEMBLE FÜR NEUE MUSIK. Direction: Titus ENGEL.

05-2012

UNEHÖRTE MUSIK, BKA THEATER, Berlin. KAMMERENSEMBLE NEUE MUSIK (Berlin). New performance of Kinê-Diffr(a)ct for seven amplified instruments.

MULTIPHONIES FESTIVAL (INA-GRM season), MAISON DE RADIO FRANCE, Paris. Armand ANGSTER (ACCROCHE NOTE ensemble). Premiere of Later jester for contrabass clarinet and electronics. INA-GRM commission (Paris). Residency at the GRM and at the ELECTRONIC STUDIO of the TECHNISCHE UNIVERSITÄT (Berlin).

OPUS 12.3 EVENING, Le Rocher de Palmer, Bordeaux. PROXIMA CENTAURI ensemble. Premiere of Kinêm(a)bstract for four amplified instruments. FRENCH MINISTRY OF CULTURE and PROXIMA CENTAURI ensemble commission.

MAISON DE LA RADIO, Geneva (Switzerland). PROXIMA CENTAURI ensemble. New performance of Kinêm(a)bstract for four amplified instruments.

RADIO SUISSE ROMANDE (RTS), Geneva (Switzerland). Broadcasting of Kinêm(a)bstract for four amplified instruments. PROXIMA CENTAURI ensemble.

06-2012

RADIO FRANCE, Paris. Broadcasting of Later jester for contrabass clarinet and electronics. Armand ANGSTER (ACCROCHE NOTE ensemble).

07-2012

As part as the HORS LES MURS programme of the French Institute in Paris, a three-month stay in New York and a research work on the project Web studies.

09-2012

SPECTRUM, New York. New performance of Gitter für Gitarre for solo amplified guitar (Jay SORCE) and Doppelklänger for solo prepared and amplified piano (Stephen GOSLING). General presentation of the research lines, of Mutatis mutandis for twelve amplified strings (RESONANZ ensemble. Direction: Stefan GEIGER, 2008) and Shel(l)ter - seither... ( ) ...Splitter and hinter... ( ) ...Eiter, a piece in two parts for eleven amplified instruments (L’ITINERAIRE ensemble. Direction: Jean DEROYER, 2010).

11-2012

PARIS 8-SAINT-DENIS UNIVERSITY (Department of Arts, Philosophy, Aesthetics). Presentation of Shel(l)ter - seither... ( ) ...Splitter and hinter... ( ) ...Eiter, a piece in two parts for eleven amplified instruments (L’ITINERAIRE ensemble. Direction: Jean DEROYER, 2010).

WORLDWIDE PHOTOGRAPHY GALA AWARD 2012 (United Kingdom). The two photos Two women in black and A fireman and a policeman (New York, 2012) have received an Honorable Mention in the STREET PHOTOGRAPHY category.

01-2011

BOULOGNE-BILLANCOURT CONSERVATORY OF MUSIC (composition class), Paris. Seminar (general presentation of the research lines and of Mutatis mutandis, Shel(l)ter and Fluctuatio (in)animi).

03-2011

KOMPOSITIONSPREIS DER LANDESHAUPTSTADT STUTTGART (Germany). 1st PRIZE for Shel(l)ter - seither... ( ) ...Splitter and hinter... ( ) ...Eiter, a piece in two parts for eleven amplified instruments.

KLANGZEITORT JOURNAL, Berlin. Coming out in German of the article For a nanomusic (Für eine Nanomusik).

10-2011

LAUREATE OF THE HORS LES MURS PROGRAMME 2012 of the French Institute (Paris) for the project Web studies.

DONAUESCHINGER MUSIKTAGE FESTIVAL (Germany). NEUE VOCALSOLISTEN. Premiere of X/Y for seven amplified singers, with resonators and additional percussive objects. DONAUESCHINGER MUSIKTAGE and Christine FISCHER and Rainer PÖLLMANN commission.

TRANSIT FESTIVAL, Leuven (Belgium). NEUE VOCALSOLISTEN. New performance of X/Y for seven amplified singers, with resonators and additional percussive objects.

11-2011

SWR RADIO, Donaueschingen (Germany). Broadcasting of X/Y for seven amplified singers, with resonators and additional percussive objects. NEUE VOCALSOLISTEN.

01-2010

PARIS-BERLIN-THE FRENCH-GERMAN NEWS MAGAZINE, Berlin. Article by Stéphanie PICHON about Shel(l)ter, a series of four pieces for ensemble and electronics.

ULTRASCHALL FESTIVAL, Berlin (Germany). DAAD PORTRAIT-CONCERT CLARA MAÏDA. L’ITINERAIRE ensemble. Direction: Jean DEROYER. Premiere of Shel(l)ter, a series of four pieces for ensemble and electronics. FRENCH MINISTRY OF CULTURE and L'ITINERAIRE ensemble commission. DAAD/ULTRASCHALL festival co-production. Support of IMPULS NEUE MUSIK (French-German fund for contemporary music). Technical processing: Sébastien NAVES and Franck ROSSI.

NEUE MUSIK ZEITUNG, Berlin (Germany). Article by Isabel HERZFELD about Shel(l)ter, a series of four pieces for ensemble and electronics.

02-2010

BERLINER ZEITUNG, Berlin. Article by Peter UEHLING about Shel(l)ter, a series of four pieces for ensemble and electronics.

DAAD-MAGAZIN, Berlin. Article by Horst Willi SCHORS about Shel(l)ter, a series of four pieces for ensemble and electronics.

AUDITORIUM SAINT-GERMAIN, Paris. CLARA MAÏDA PORTRAIT-CONCERT. L’ITINERAIRE ensemble. Direction: Jean DEROYER. French premiere of Shel(l)ter - seither... ( ) ...Splitter and hinter... ( ) ...Eiter, a piece in two parts for eleven amplified instruments, and of Doppelklänger for solo prepared and amplified piano (David CHEVALIER). New performance of Repeats, defeats for four instruments. Technical processing: Sébastien NAVES.

DEUTSCHLANDRADIO KULTUR, Berlin. Broadcasting of Shel(l)ter, a series of four pieces for ensemble and electronics (DAAD PORTRAIT-CONCERT CLARA MAÏDA, ULTRASCHALL festival, Berlin).

DAAD and EDITION RZ, Berlin. Coming out of the monographic CD in corpore vili (Mutatis mutandis, Psyché-Cité/Transversales...who holds the strings... and Doppelklänger). French distribution by METAMKINE label.

04-2010

NORDWESTRADIO - RADIO BREMEN, Bremen (Germany). Broadcasting of Holes and bones for four instruments. ALTERNANCE ensemble (Paris).

05-2010

UNIVERSITÄT DER KÜNSTE, Berlin. Lecture ("Psychic processes and music: psychoanalysis, neuropsychology and genetics, models for the musical writing").

MUSIKAKADEMIE RHEINSBERG, Germany. WORK IN PROGRESS - BERLIN ensemble. Direction: Gerhardt MÜLLER-GOLDBOOM. German premiere of Kinê-Diffr(a)ct for seven amplified instruments, Al Aknawakht for solo percussion (Michael WEILACHER), Gitter für Gitarre for solo amplified guitar (Seth JOSEL) and new performance of Doppelklänger for solo prepared and amplified piano (Heather O’DONNELL).

ALPHA NOVA GALLERY, Berlin. WORK IN PROGRESS - BERLIN ensemble. New performance of Al Aknawakht for solo percussion (Michael WEILACHER) and Gitter für Gitarre for solo amplified guitar (Seth JOSEL).
Interview with Gerhardt MÜLLER-GOLDBOOM (director of WORK IN PROGRESS - BERLIN and composer).

AUFABWEGEN - MAGAZIN (contemporary music web journal), Germany. Article by Till KNIOLA about the monographic CD in corpore vili.

THE WIRE MAGAZINE (contemporary music journal), London. Article by Richard PINNELL about the monographic CD in corpore vili.

06-2010

BAYERISCHER RUNDFUNK RADIO, Germany. Broadcasting of Mutatis mutandis for twelve amplified strings. RESONANZ ensemble. Direction: Stefan GEIGER.

HIGH PONY TAIL (contemporary and classical music blog), USA. Article about the monographic CD in corpore vili.

BBC RADIO, London. Broadcasting of Ipso facto for electronics solo.

10-2010

THEATRE DUNOIS, Paris. MOSCOW CONTEMPORARY MUSIC ENSEMBLE. New performance of Holes and bones for four instruments.

RADIO FRANCE - FRANCE MUSIQUE (Electromania), Paris. Broadcasting of Ipso facto for electronics solo.

11-2010

POSITIONEN JOURNAL, Berlin. Coming out in German of the article Worstsaid Ho, worstheard Ho.

DEUTSCHLANDFUNK RADIO (Germany). "Porträt Clara Maïda" (Clara Maïda's Portrait), by the music journalist Isabel HERZFELD.

GLINKA STATE MUSICAL MUSEUM, Moscow. MOSCOW CONTEMPORARY MUSIC ENSEMBLE. New performance of Holes and bones for four instruments.

12-2010

ELECTRONIC STUDIO of the TECHNISCHE UNIVERSITÄT (TU), Berlin. Presentation of the pieces with electronics (the series Shel(l)ter and Psyché-Cité/Transversales for ensemble and electronics),

04-2009

ARS MUSICA FESTIVAL, Brussels (Belgium). Thierry MIROGLIO. New performance of Al Aknawakht for solo percussion.

WEIMARER FRÜHJAHRSTAGE FÜR ZEITGENÖSSISCHE MUSIK, Weimar (Germany). ARDITTI QUARTET. New performance of ...who holds the strings... for string quartet.

05-2009

ACCENTS ONLINE (Ensemble Intercontemporain webmag), Paris. Article about Shel(l)ter - später... ( ) …Winter for six instruments and electronics.

LES MUSIQUES FESTIVAL, Marseille. PERCUSSIONS DE STRASBOURG and NOUVEL ENSEMBLE MODERNE. Direction: Lorraine VAILLANCOURT. Premiere of Shel(l)ter - später... ( ) ...Winter for six instruments and electronics. FRENCH MINISTRY OF CULTURE and GMEM commission. GMEM technical processing.

RADIO GRENOUILLE, Marseille. Broadcasting: Presentation of Clara Maïda's music. The presentation can be listened on internet (on the podcast: Playlist Clara Maïda).

06-2009

ELECTROVISIONES FESTIVAL 2009, Mexico City (Mexico). Selection of Ipso facto for electronics solo (new performance of the piece at the FONOTECA NACIONAL, Mexico City).

RADIOGRAFIAS SONORAS, 2009 (Mexico). Broadcasting of a sound sample from Ipso facto for electronics solo on podOmatic’s podcast and on MODISTI’s website (as part of the concert at the FONOTECA NACIONAL in Mexico City on June 26th, 2009).

07-2009

MARIO MAZZOLI SOUND ART GALLERY, Berlin. General presentation of the research lines and the project Shel(l)ter for ensemble and electronics (premiere in 2010 with L'ITINERAIRE ensemble).

MARIO MAZZOLI SOUND ART GALLERY, Berlin. Exhibition of the score of Fluctuatio (in)animi for five instruments and electronics, and broadcasting of sound samples, as part of a collective exhibition of composers and sound artists.

09-2009

HESSISCHER RUNDFUNK/HR, Frankfurt. Interview with the musicologist and journalist Susanne LAURENTIUS, as part of a broadcasting about the Artists-in-Berlin programme of the DAAD.

ART FORUM BERLIN, Berlin. Exhibition of the score of Fluctuatio (in)animi and broadcasting of sound samples, as part of a collective exhibition of composers and sound artists presented by MARIO MAZZOLI SOUND ART GALLERY, Berlin.

ARTE SONORO, Mexico City (Mexico). Article about Ipso facto for electronics solo.

10-2009

ELECTRONIC STUDIO OF THE TECHNISCHE UNIVERSITÄT (TU), Berlin. Presentation of Ipso facto for electronics solo by Folkmar HEIN (former director of the ELECTRONIC STUDIO of the TU) as part of a concert in the INSTITUT VOOR SONOLOGIE (The Hague Royal Conservatory), Netherlands.

INSTITUT VOOR SONOLOGIE (The Hague Royal Conservatory), Netherlands. New performance of Ipso facto for electronics solo as part of the Berlin TECHNISCHE UNIVERSITÄT concert.

11-2009

PARIS INTERNATIONAL GUITAR FESTIVAL. Caroline DELUME. Premiere of Gitter für Gitarre for solo amplified guitar. PARIS INTERNATIONAL GUITAR FESTIVAL commission.

AUDITORIUM SAINT-GERMAIN, Paris. Thierry MIROGLIO. New performance of Al Aknawakht for solo percussion.

02-2008

RENNES 2 UNIVERSITY (Music department). General presentation of the research lines and lecture on the topic "Music and noise".

INSTITUT FRANCAIS, Bremen (Germany). ALTERNANCE ensemble. New performance of Holes and bones for four instruments.

04-2008

CEFEDEM OF AQUITAINE, Bordeaux. General presentation of the research lines and Kinê-Diffr(a)ct for seven amplified instruments.

OPUS 8.2 EVENING. TOUT NOUVEAU THEATRE (T. N. T.), Bordeaux. PROXIMA CENTAURI ensemble. Premiere of Kinê-Diffr(a)ct for seven amplified instruments. FRENCH MINISTRY OF CULTURE and PROXIMA CENTAURI ensemble commission.

07-2008

INVENTIONEN FESTIVAL, Berlin. Heather O’DONNELL. Premiere of Doppelklänger for solo prepared and amplified piano. DAAD of Berlin commission.

INVENTIONEN FESTIVAL, Berlin. CLARA MAÏDA PORTRAIT (DAAD). General presentation of the research lines. Moderation: Christine FISCHER (artistic director of NEUE VOCALSOLISTEN ensemble, Stuttgart).

08-2008

SWISS RADIO DRS 2, Basel. Article about Clara Maïda's music as part as the broadcasting "Clara Maïda im Porträt" (Clara Maïda's portrait).

09-2008

MÚSICA VIVA FESTIVAL, Lisbon (Portugal). New performance of Ipso facto for electronics solo.

KLANG! FESTIVAL, Hamburg (Germany). RESONANZ ensemble. Direction: Stefan GEIGER. Premiere of Mutatis mutandis for twelve amplified strings. SACEM/KLANG! festival commission (NETZWERK NEUE MUSIK, KULTURSTIFTUNG DES BUNDES, Hamburg).

KLANG! FESTIVAL, Hamburg (Germany). Presentation of Mutatis mutandis for twelve amplified strings. Moderation: Margarete ZANDER (artistic co-director of ULTRASCHALL festival, Berlin).

HAMBURGER ABENBLATT, Hamburg (Germany). Article about Mutatis mutandis for twelve amplified strings.

10-2008

LAUREATE OF THE BERLIN-RHEINSBERGER KOMPOSITIONSPREIS 2008.

EARPLAY 2008 (DONALD AIRD MEMORIAL COMPOSERS COMPETITION), San Francisco (USA). Honorable Mention for the piece Holes and bones for four instruments.

11-2008

EMUFEST 2008 (International Festival of Electroacoustic Music), Rome (Italy). Selection and new performance of Ipso facto for electronics solo.

MUSICA NOVA 2008, Prague (Czech Republic). Finalist for Ipso facto for electronics solo.

04-2007

PRIX ARS ELECTRONICA, Linz (Austria). Article about Fluctuatio (in)animi for five instruments and electronics.

05-2007

FRENCH MAY FESTIVAL (Hong Kong Academy for Performing Arts), Hong Kong. Thierry MIROGLIO. Premiere of Al Aknawakht for solo percussion.

06-2007

CROISEMENTS FESTIVAL, Shangaï. Thierry MIROGLIO. New performance of Al Aknawakht for solo percussion.

AUDITORIUM OF LYON, Les Chantiers de la création. Musicians of the LYON NATIONAL ORCHESTRA and children of La Fontaine school of Lyon. Premiere of Bowling bowls for four instruments and fifty children (bowls and voice). LYON NATIONAL ORCHESTRA commission.

07-2007

She is the GUEST OF THE ARTISTS-IN-BERLIN PROGRAMME OF THE DAAD between August 2007 and August 2008 for the realization of her project Shel(l)ter for ensemble and electronics, with L’ITINERAIRE ensemble.

ELEAZAR DE CARVALHO FESTIVAL (University of Fortaleza), Brazil. Thierry MIROGLIO. New performance of Al Aknawakht for solo percussion.

08-2007

ELECTRONIC STUDIO of the TECHNISCHE UNIVERSITÄT (TU), Berlin. Residency for the composition of Ipso facto for electronics solo (2nd part of the series of pieces Psyché-Cité/Transversales for ensemble and electronics ).

09-2007

PRIX ARS ELECTRONICA, Linz (Austria). Ceremony of the awards.
Honorary Mention for the piece Fluctuatio (in)animi for five instruments and electronics (May 2007).

FÜNF + 1 FESTIVAL, KLEINER WASSERSPEICHER of Prenzlauer Berg, Berlin. Premiere of Ipso facto for electronics solo.

10-2007

DEUTSCHLANDRADIO KULTUR, Berlin. "Berlin für ein Jahr". Interview with the musicologist Christine ANDERSON.

FILIGRANES JOURNAL n°6, "Music and unconscious". Coming out of the article ...ça écrit ça écrit ça écrit ça... (…it writes id writes it writes id…).

MUSIKHØST FESTIVAL, Odense (Denmark). ALTERNANCE ensemble. New performance of Holes and bones for four instruments.

SWISS RADIO DRS 2, Basel. "Musik unserer Zeit. Clara Maïda". Interview with the musicologist Bettina BRAND.

11-2007

BEYOND THE WALL DAYS, AKADEMIE DER KÜNSTE, Berlin. PELLEGRINI QUARTETT. New performance of ...who holds the strings... for string quartet.

12-2007

INSTITUTO CERVANTES, Paris. ALTERNANCE ensemble. New performance of Holes and bones for four instruments and Le livre des trous for solo piano.